Mayfield Mods (
mayfield_mods) wrote in
welcome_rpg2012-07-05 12:36 am
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welcome to mayfield: day 4

[This carnival seems to be getting less and less maintained by the day. Your nerves aren't the only thing fallen apart: what were previously holes in the sky have expanded to cracks. What parts of the sky that haven't fallen into that strange, warping nothingness are full of brown smog-like clouds.
The carnival itself has become filthy, with trash and grease spots littered everywhere. The walls of the tents, wooden stands, and houses seem to be slightly melted, for lack of a better term. The holes of corrupted nothingness aren't confined to the sky anymore: pockets of nothing litter the carnival, shifting tears in the fabric of reality that hurt your eyes to look at.
A faint buzzing noise fills the air, making it difficult to concentrate. If you listen long enough, it starts to sound like voices. For your own sake, it's probably best not to listen to what they have to say.
You're also not alone here anymore, for those of you operating under the assumption that you ever really were. If you've been missing the friendly drones of Mayfield, fear no more, because scattered throughout the carnival are a few drone families seeing the sights, riding the rides and playing the games. Curiously, unlike the drones back home, these ones don't seem to notice you at all, acting as if you're not even there.
Also curiously: their features are warped nearly beyond recognition. Some are missing limbs or facial features; others appear to have had those features scrambled by Picasso's paintbrush, with mouths on their scalps or teeth on their fingers. Still other drones appear to be fused together at the wrist, or waist, or face. None of them seem to be any more aware of their deformity than they are of you.
...and yet, somehow, you can't shake the feeling that when you're not looking at them, they're looking at you.
New here? That's alright; your missing friends have had plenty of time to get acquainted, and they'll be happy to show you around. Just watch your step, because some of these old rides need some maintenance...]
OOC: If your character damages or affects the carnival or town in a noticeable and normally permanent way, please comment here.
FUNHOUSE
[Feel free to re-enter the funhouse. If you search hard enough, you may even be able to get past the funhouse into the main area you explored before. But there seems to be something moving in the utter pitch darkness...
For those of you who won prizes in Mayfield's carnival, you'll find that they'll start glowing and getting warmer the closer you get to the main area.]
((OOC: If your character makes it past the hall of mirrors, please put MAIN AREA in the header.))
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I suppose this is the calmer choice of the available areas of the carnival, isn't it?
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The hall of mirrors is a challenge, but that stupid clown keychain in her pocket keeps getting warmer if she heads in a certain direction . . . ]
Anyone else in here? Not monsters or drones, you guys can stay where you are.
Re: FUNHOUSE
She hears Caroline calling, and decides to follow it and answer.]
Hello?
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Over here!
. . . Marco?
[Hopefully this is someone that knows how to play Marco Polo.]
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Polo?
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She might stop you and ask what the hell is going on, or if you're in really rough shape she might offer to help you.]
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[Your neighbour's been here for a few days, Kono. The front of her shirt is stained with blood.]
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...I wish I knew what to do.
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Same. The way I see it is if someone found a way back, we'd know it by now.
[have they even seen anyone go back in there? sure doesn't seem like it.]
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I'm so scared. And I just... Don't know what to do. I don't care about getting information anymore. I want to go back home. God, it's spooky there and horrible things happen and I never chose to be there, but it's so much better than this.
Main Area
Ah, good. No more mirrors... Those were quite annoying. [ She pauses in the main area, deciding to take a few seconds to recollect her nerves. Mirrors should not be so scary and she should not be feeling so nervous, she reminds herself. ] Now how do I get back to the 'other side'? Should I shoot this place up until it lets me out?
I know you kept saying to take my time but still this is laate ; A;
At least that's what Nitori tells herself as she begins to follow Satou into the funhouse. The kappa knows how to be sneaky, and so far her efforts to follow Satou without the girl ever noticing has worked. Satou pauses in the main area, a section that Nitori hasn't personally visited. Nitori sticks to a wall, not far from the entrance to the main hall. She peers at Satou curiously.
Nitori's eyes widen as she listens.. There was nothing truly wrong with what Satou was saying, it was only to be expected, but the way she was saying it made Nitori gulp and step away from the edge of the entrance. Nitori conjures a quick plan in order to leave the fun house without Satou noticing.
She immediately ruins this foolproof plan by crunching on a piece of glass. It doesn't hurt Nitori, but it sure as heck makes noise. ]
It's fine ;u;
[ Satou turns swiftly in the direction of the sound, palm held out and half sphere-like collections of pink magic gathered around her and hanging in the air. She looks at Nitori with glowing eyes, the look of a witch about to shoot, but all of her offensive magic dissolves the instant that she recognizes the kappa. ]
Nitori-chan! Oh goodness, are you okay? However did you get here? [ Snap. Just like that, Satou's 'real' (fake) personality snaps back into place and she crosses the main area carefully to reach the other girl. ] Thank goodness you are not hurt. You're not, right?
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I-I'm fine! [ She tilts her head down in embarrassment. ] I only stepped on the glass. My boots are hard enough so that I won't get hurt! But -- Satou-san, what are you doing here?
MAIN AREA
Flanked by his loyal Egg Pawns, Eggman charged into the fun house, letting his hunger and thirst fuel his annoyance into leaving this place. He's going to brave the hall of (shattered) mirrors and push his way deeper.]
This ends here and now, city!
Re: FUNHOUSE
That's why she's also raining her wrath down on the funhouse. Kreutzer and her dolls were shooting at the exterior of the funhouse with a great number of magical bullets.)
There is no going back through there. It is only the town's trophy, honoring yet another victory over their captives. Well how's this for your victory?!
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...Is that fire?]
Eh? What's going on out there?
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I want to destroy the funhouse. It serves no purpose other than to taunt us; it's a one-way portal to this dimension and a mark for another of Mayfield's victories over us. It's worthless to me...
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It might not necessarily be a one way portal! It might just be closed at the moment. People have been showing up through here, so maybe if we wait for someone new to appear, we can see if we can go back to Mayfield.
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